CONNIE BOOCHEVER FELLOWSHIPS ANNOUNCED

10.07.2011

The Alaska State Council on the Arts and the Alaska Arts and Culture Foundation recently chose four individuals to receive the 2011 Connie Boochever Fellowships in the visual arts. The $2,500 fellowship is for emerging artists, and each year the disciplines alternate between performing, literary and visual arts.

The four recipients are:

James Adcox, visual artist, Nome;
Michael Conti, photography and video, Anchorage;
Ben Huff, photography, Juneau;
Wendy Gingell, ceramic artist, Anchorage

The Connie Boochever Fellowship was established in 2001 by her family after her death to honor and reflect the spirited passion of the arts Mrs. Boochever consistently demonstrated.

Connie Boochever was an avid performer, director, and producer of community theater and a lifelong patron and advocate of the arts. Her crusading efforts gave the arts a voice in Alaskan government and she played a key role in advocating for passage of legislation mandating Percent for Art in Public Places. Connie’s legacy can be seen in art installed in public buildings around the state.

For more information about the 2011 Connie Boochever Fellows, contact the Alaska State Council on the Arts at 1.888.278.7424 or 907.269.6610 in Anchorage. The Fellowships are funded through the Connie Boochever Endowment and the Alaska Arts and Culture Foundation, and administered by the Alaska State Council on the Arts.

CALL TO ARTISTS: Supertrash Poster Contest

10.06.2011

Pulp Film Poster Guidelines

2011 Calendar

• Tuesday Oct. 4 Competition opens
• Friday Nov. 5 9 p.m. Submission deadline
• Friday Nov. 11 Notification of acceptance
• Saturday Nov. 12 Exhibition at the SuperTrash Party, 8 pm – Midnight
• Tuesday Nov. 15 Posters will be returned to artists

Submitting a Poster

In conjunction with the SuperTrash exhibition at the Anchorage Museum,
the museum invites you to design your own Pulp Film Poster.

Before submitting posters to the contest, please look at Pulp Film posters* and
familiarize yourself with them. Create a title and poster for a fake movie, based on the SuperTrash theme. Make it B, make it Gory, make it Local, or make it Camp, but make it. Winners will be accepted based on the most original ideas for fake movies, and the most appealing visual design.

*Link to sample posters: http://www.myspace.com/supertrashfest/photos/albums/album/790686

Submit posters to:
Anchorage Museum, 625 C St., Anchorage, AK.
c/o Adam Baldwin, Director of Enterprise and Visitor Services.

All submissions must include
• Contact info: Name, phone, email
• Poster info: Title, medium, and price of each submission (25% commission)
• Tell us if you will sell prints (print them at your own cost). We will provide a sales table for purchases of flat posters (not mounted/framed).

Accepted Media
• Size of poster must be 18” x 24.”
• There can be no three-dimensional materials, flat surfaces only.
• Posters can be mounted on foam core. Don’t frame or laminate your entry.

Awards
• If your poster is accepted, you will receive one free ticket to see the SuperTrash exhibition.
• Accepted posters will be exhibited at the SuperTrash Party and eligible for the People’s Choice Award.

Fine Print
Only original artwork will be considered.
The Anchorage Museum reserves the right to reject any submission.
The Anchorage Museum will not be responsible for any damage to your poster.
The SuperTrash exhibition is organized by The Warhol Museum in Pittsburgh, PA.

The exhibition is on view at the Anchorage Museum, Nov. 4, 2011 – Jan. 8, 2012.

FUN WITH FACE JUGS-CLAY WORKSHOP AT ANCHORAGE MUSEUM

09.08.2011

CLAY WORKSHOP: FUN WITH FACE JUGS
6:30 to 8:30 p.m. Wednesdays, Sept. 21-Nov. 9
Create a traditional, southern-style face jug using clay slabs or coils. Shape a jug into a whimsical creature, realistic portrait or a beloved pet.

All levels welcome.

Taught by artist Barbara Farris (and me even though this isn’t posted, it’s true:)

$170 member/$190 non-member

So I hope to see you there.

Barbara is so kind and generous. I know it’s going to be a fantastic workshop!

For more information on how to registrar, please visit:

http://www.anchoragemuseum.org/learn/CLASSES_adult.aspx

CALL TO ARTISTS: University of Alaska Anchorage Health Sciences Building

08.29.2011

Alaska State Council on the Arts: University of Alaska Anchorage Health Sciences Building

Entry Deadline: 9/7/11

The Alaska State Council on the Arts on behalf of the University of Alaska Anchorage (UAA) is requesting qualifications from artists for new interior artwork to be commissioned for the new Health Sciences Building in Anchorage, Alaska.

ALASKA ARTISTS ONLY.

TOTAL ART BUDGET $300,000 USD

Deadline for Entries: Received by Wednesday September 7, 2011 9:59 pm Alaska Daylight Savings Time.

INTERVIEW WITH ERIN OSINKOSKY

08.27.2011

Erin Osinkosky is an Anchorage artist work whose work I have admired since first seeing it when moving here. Erin is a unique person in that she is one of the most prolific artist’s I know but also someone who rarely shows her work. Hopefully her responses will help me to understand why this is.

What did you want to be when you grew up?
I wanted to be a missionary or an explorer. I wanted to live in the jungle for a while. Counselor, traveler, ranch hand. Still trying to figure this out.
As someone whose come to know Erin a bit better, I think I can safely say she’s already tried out many of these options.

Did you ever imagine being an artist?
Not really but I’ve always made things.

When did you decide to be an artist?
Art keeps pushing me to it. Every time I’m at a crossroads or feel uncertain about things, I choose art.

Favorite artist?
Many—Picasso, Paul Klee, Adolf Wolfli, Twins 77, to name a few.

Ideal day?
Coffee in the morning, then art and write. Afternoon, traveling. I’d be in a desert or island or foreign marketplace, somewhere new. Supper with family and friends in the evening.

Did you grow up with art?

I grew up with creativity. My family’s really creative but more verbally, performance. We were always making things. I’m the only one who compulsively makes art.

Why art?
I ask myself this frequently. My biggest challenge is to see art as my profession, to find purpose in making money from my art. I like what Picasso says “because at the moment we’re doing it, it makes us feel better. And that’s the main thing. . .I paint the way someone bites his fingernails—for me, painting is a bad habit because I don’t know nor can I do anything else.”

Jobs other than being an artist?
My first job was picking cherries. I worked at McDonalds maybe six months. Home health aid, housekeeper, took care of kids. Delivered pizza. Cake decorator, art teacher at migrant summer school camp. File clerk, caseworker, innkeeper for a B&B. Waited tables, sold makeup and skin care. Tutored writing and Spanish.

What research do you do?
I look for art online that inspires me. Art books at bookstores and libraries. I take along my camera.

Do you collect art?
Digital images on my computer.

What superpower would you have?
I’d be able to be in different places instantly without the travel time or having to fly.

Why?
So I could explore different places and be with friends and family and support myself at the same time.

Best advice?
A professor who always told me to keep being who I am, regardless of what it means professionally. My parents who have always supported in me in my decisions.

Professionally, what’s your goal?
To keep making art. To make my living from it.

Why do you do what you do?
It keeps me sane. Writing and making art each morning makes life make sense to me.

Process or ritual you go through before creating?
Coffee, read or internet, something mindless. Write then organize my desk. I need things tidy before I start, desk and brain.

Guilty pleasures?
Water, organizing, thrift shopping.
This answer is such an Erin response and she’s serious about it too.

Thanks for your responses Erin.

I’ve been fortunate to become a friend of Erin’s and feel very lucky in this regard. As you can see from Erin’s work, this lady knows what works and also has fun doing it. Thanks again Erin.

PUPPET BY ERIN OSINKOSKY

08.26.2011

Erin has agreed to discuss her artwork with us in the very near future. In the meantime, here's a little teaser with one of her fantastic puppets!

HOW MUCH DO YOU REALLY KNOW ABOUT CINDY SHAKE…

07.26.2011

When I first moved to Anchorage I was a little concerned as to how I would be able to continue with my ceramics. A studio mate at the Upstairs Studio recommended I speak to Cindy Shake. Cindy sold me two kilns and has really become the go to person for me whenever I have had any question as to where to get this or who would know about that. Cindy is a wealth of knowledge, kind and generous. Cindy truly is a wonderful friend to have. Cindy was kind enough to share with us a little bit more about herself. Take and a look and learn more about this incredible woman and her art process.

What inspires you – and do you use that inspiration directly to create a piece of art or do you channel towards something you are already working on?
I’m easily inspired by things I find in Nature -flora & fauna, and that inspiration will usually be directed toward a specific piece.

Is there a process or ritual you go through before you begin creating? And if so, what is it?
It’s not very glamourous but my housework has to be done, the studio and shop need to first be organized, materials purchased and I need to put the music on. It used to just be my putting on my favorite pair of Carhartts and have a 20 oz. Americanno.

Are you ever satisfied with your work? If you are, how do you know when you are done? If not, how do you let go of a piece of art?
Lately it’s 50/50 because I’m so busy and the satisfaction has to be tempered with the realities of working as a full time artist. Sadly, it’s the clock on the wall that usually tells me when a piece is done! Letting go sometimes is very hard. I still have some pieces that I have not been able to let go -for any price. I can generally “fall out of love” with a fantastic piece after something else has been made and I’ve found that cycle occurs about every month.

What did you want to be when you grew up? Did you ever imagine being an artist?
I was always good at art but when I was a kid being an artist wasn’t really considered a job or a career path. I wanted to be a cake decorator.

How important is it to you to keep art affordable?
With the current economic climate, very important as those sales less commissions, overhead and expenses are my income. It’s a constant struggle as my cost of materials continues to rise and my retail price points continue to need to be adjusted downward.

Do you collect art?
My husband and I have been fortunate to have been able to barter with many talented artists and have incredible works in a variety of mediums. I also have a collection of artful teapots.

Favorite place to travel?
Locally to Homer and we have a cabin in Alyeska (Girdwood) that is our respite.

Biggest fear?
My Leukemia returning.

When did you decide to be an artist?
I was born an artist.

Your favorite painter?
Locally, Steve Gordon, Nationally the work of Eric Carl.

Do you have any guilty pleasures?
Thrift store shopping and half and half in my coffee.

What are you working on now?
Art Quilts.

What would an ideal day for you look like?
My dogs letting themselves out while I read the paper and enjoy my coffee in the morning sun on the deck. That would be a good start.

Did you grow up with art? Is your background in the arts?
My parents are very creative but have only recently become artists themselves now that they have more time. Yes, my background has always been in the arts, mainly in advertising and graphic design.

How has your taste in art evolved?
I don’t think it has but my husband and I can better afford what we like.

Who are you and what do you do?
I am a daughter, a sister, a wife, a mother to three and a friend to many and all that goes with those responsibilities every day.

How do you work?
tirelessly.

Explain what you do in 100 words.
This was written about my work and process by the Artful Home and the Guild: Award-winning illustrator and graphic designer Cindy Shake was drawn to metal sculpture by the physical challenges inherent in metalworking. The full-time artist works primarily in steel and fiber arts from her studio in Anchorage, Alaska. “When I see a fluid shape in nature I am often inspired to interpret the form dimensionally through sculpture. I think continually about the structure until I am able to reflect the figure as an art form.” It’s not unusual for her to work on several pieces at once, in several mediums, in various phases of design, cutting, welding, finishing, sewing, painting, or installation.

How has your practice changed over time?
I used to work late into the night. My production schedule is much more planned now and I stop working by 3:00 pm when my youngest son gets out of school.

What art do you most identify with?
Artwork that is illustrative and accomplished.

What jobs have you done other than being an artist?
When I was a kid, I mowed lawns and sold garden seeds. I was a window dresser and display manager for a large department store and I’ve worked in the Advertising Agency business as a Creative Director and Art Director. My husband and I also owned a successful coffee shop for years. Mainly, I was the principal in a graphic design company for 20 plus years.

What do you dislike about your work?
The sheer quantity of pieces I need to make each month to earn a living.

What do you like about your work?
Being self-employed and making people happy with my art work.

What research do you do?
I love research, especially for the flora and fauna I create. I’m a voracious reader, reading multiple newspapers and a novel every 10 days or so. I do a lot of internet research of images, visit the library and museums and watch movies regularly.

What superpower would you have and why?
The power to heal, for the obvious reasons.

What’s the best piece of advice you’ve been given?
Good, Fast, Cheap. Choose Two.

Professionally, what’s your goal?
To enjoy art making and always be physically able to do so.

What wouldn’t you do without?
My health and the health of my family.

Why do you do what you do?
It’s what I was meant to do.

Why art?
I’m easily inspired and I can’t sing or dance.

Cindy’s work can be found locally at The Spenard Farmers Market, throughout Alaska in various galleries and nationally through http://www.artfulhome.com

To learn more about Cindy, you can follow her at http://artmakinginthenorth.blogspot.com/

Thank you Cindy.

FOREST FAIR IS TOMORROW!

07.01.2011

Tomorrow is the first day of the Girdwood Forest Fair. The fair is open from 11-8 tomorrow. This is my first year at the fair and I’m excited to be here. I’m at booth number 112, which is across from the Fire Hall. I have lots of new bowls and mugs. I also have prints and cards for sale. If you haven’t been to Girdwood, or it’s been a while, I’d highly recommend a visit. It really looks like it’s going to be fun time.

BUSY, BUSY, BUSY

06.10.2011

To busy to say anything. I’m at the Anchorage Museum all day today and tomorrow. Come by and say hello. I have chocolate candy kisses:)…and ceramics for sale..:)

WHAT AM I DOING TODAY?

06.06.2011

This is what I’m doing today.

And that’s all I have to say today.

I have to get back to work…

See you tomorrow.

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1231 W. Northern Lights Blvd. #451
Anchorage, AK 99503
USA

T. 907 441-6059
wendy@gingellceramics.com

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